Recovered: Quest World™ and The Uncanny Hinterlands

Quest World™ is my entry into The Great Troika! Pocket Sphere Jam. For the unfamiliar, a pocketmod is a small booklet folded from a single sheet of paper, and a “sphere” is Troika’s rough equivalent of a plane or a planet. Quest World™ is one part of a stew I’ve had simmering for the better part of a year now, which I call the Uncanny Hinterlands.

A Windows XP screenshot or the old RuneScape interface, but the animated torches and the login prompt are still rendered over the game. RuneScape login glitch, c. 2010.

The Uncanny Hinterlands

The first ingredient in the Uncanny Hinterlands was the Mothership adventure Hideo’s World, in which the characters enter a decaying virtual world in the mind of a genius game designer (a “slickworld”). It plays with the narrative frames in some interesting ways, for example you can order a coke in the virtual world, delivered to your physical location by drone. It’s also an “excuse” to explore a different set of tropes and aesthetics while keeping it grounded in a larger setting.

The second ingredient was Jared Sinclair’s Prismot zine, which expanded the idea from “I should run Hideo’s World” to “I should convert Hideo’s World to Troika!” I liked the idea of a world like Hideo’s, but that you could also travel to physically,¹ a digitally constructed artificial realm of adventure.

That was on 11 March 2020, and on 16 March 2020 I started working from home in relative isolation. Eventually, I picked up RuneScape (OSRS) again, and that influence created the Uncanny Hinterlands, a larger, stranger setting.² With my notes becoming too unwieldy to usefully think about, the game jam gave me the opportunity to ladle out a manageable portion to share with others.

Quest World™

Quest World™ is most heavily inspired by MMORPGs. I’m fascinated by the morality of RuneScape, where advancement may force you to compromise your morals. In general, there are many one-off or narrow solutions that could not reasonably exist in a normal TTRPG. Debates about violence in D&D and coverage of The Last of Us 2 put the term “ludonarrative dissonance” in my head, which seemed like a natural exploration inside these more complicated narrative frames.

I haven’t got to play it yet, but I also wanted to shout out PAGAN: Autogeny as apparently having a similar concept (abandoned MMORPG), although I’m sure there are others.

Kill Arena

The next area of the uncanny hinterlands that I’d like to explore is the Kill Arena: a sphere inspired by classic FPS games. I especially always loved the way that physics glitches become core parts of gameplay or entirely different ways to play. I don’t know if this exploration will be coherent enough to share, but I offer it as an example of other spheres in the Uncanny Hinterlands.

Making the Pocketmod

I composed my first pocketmod at A7 page size, because an A4 pocketmod printed on US letter paper will still fold correctly (the reverse is not true). This time, I did not remember that and started writing at ⅛-size US letter paper. Fortunately, I gave myself 0.25” margins, so I was able to adjust the margins and paper size at the same time for the A4 version.

I used pdfjam for the final layout, which was pretty straightforward. My distribution (Mageia) provides it in the package “texlive-collection-basic” and the command to assemble the US letter-size pocketmod was:

$ pdfjam --angle 180 -o /dev/stdout qw.pdf '1,8,7,6' | pdfjam --nup 4x2 --landscape --paper letter -o qw-us.pdf qw.pdf '2-5' /dev/stdin

where qw.pdf is the 8-page ⅛-size US letter layout and qw-us.pdf is the pocketmod output. Similarly, the A4 pocketmod was assembled by:

$ pdfjam --angle 180 -o /dev/stdout qw-a7.pdf '1,8,7,6' | pdfjam --nup 4x2 --landscape --paper a4paper -o qw-a4.pdf qw-a7.pdf '2-5' /dev/stdin

I used LibreOffice for writing and layout, GIMP for image editing, Kolourpaint for rough image sizing and cropping, and Pixel Studio on an Android tablet for original art.

I made liberal use of the free resources on itch.io. I used the fonts Nicer Nightie, Silver, and Fool, and I used free 1-bit fantasy sprites (2025: dead link) and pixel portraits (2025: private link).

I also used several sets of glitch brushes and textures by dataerase. It’s a bit of a hack, but this is how I made them work in GIMP:

Copy the .abr files to ~/.config/GIMP/2.10/brushes (you can leave them in subdirectories).
Copy the folders of patterns from the CSP brushes to ~/.config/GIMP/2.10/patterns (you can leave them in subdirectories and also leave them as pngs).
Using the clone tool, select “Pattern” as the source and select one of the glitch patterns. You can use any brush, but the new brushes will be square.

These aren’t true brushes: the pattern doesn’t scale with brush size, nor does the current foreground color matter, but for painting on pixel-scales in black & white, it worked very well.

Into the Uncanny Hinterlands

There is a lot more in the uncanny hinterlands, so I’m collecting some of the other ideas that inform them here for reference.

Early in quarantine, I finished digitizing all my old VHS tapes, where I rediscovered the Beyond the Mind’s Eye series of videos.
This collection of early CGI.
Glitch TV Bot and Crooked Cosmos
The Art of PNG Glitch
The Misremembered Men from I Don’t Remember That Move were one of the larger “game” references for the glitch aesthetic. I like the way it creates “digital” problems in an analog game.
MissingNo. and other glitch pokemon strongly inform the glitch aesthetic, but I also appreciate the simple weirdness of Porygon, a pokemon created in “compressed” form.
Mojibake
Parsely, which I found through David Schirduan’s review. I haven’t played it yet, because I’m bad at pitching ideas to people and this is a tough one. But I’m genuinely excited by the ideas.
I am interested in the way that MMORPGs handle glitches and hacks, both officially and communally, and in the long term effects of those glitches on the games. I remember the Corrupted Blood Incident and the Partyhat Duplication Glitch especially.

Four tiled images: a close-up of a mouth with the words “Plump It” showing bands of discoloration and parts of a different image, two images of space phenomena but pixel-sorted to appear ghostly, and an image of two talkshow hosts glitchily overlaid. Collage of CrookedCosmos and GlitchTVBot images. Fluorescence[6] by Digital Blasphemy. People used to pay money for wallpapers. You still can! He's still at it! Early CGI rendering of a knight and a skeleton seated at a table surrounded by weaponry. A small green dragon plays under the table, and on it is a glowing map-globe.

This post was first shared on February 2, 2021.

While some inhabitants of the Uncanny Hinterlands are there via neural uplink, some are using PC terminals, astral projection, or spaceships. Some could be considered “native,” even.↩︎
I still have not lost track of my other OSRS-inspired projects, as they are tending in a different direction.↩︎

Date

May 30, 2025

Previously

Ternary Ordered Dither Suppose I have an image and I want to reduce the number of colors in it.1 How can I go about this? I’m including ImageMagick commands throughout,