As I find myself thinking about minimal game structures, I keep coming back to the elegance of this setup. So I thought to bump it up the recovery schedule. At time of writing, it wasn’t available outside of the initial Kickstarter.
Recovered: Le Monastère de Saint Gastronomie (Review)
A whimsical mini-campaign set in rural medieval France. Players are monks who must gain the allegiance of local monstrous factions in order to save the world. Due to the nature of the system and adventure, it will be difficult to avoid spoilers in this review.
Le Monastère de Saint Gastronomie
The adventure was part of Kickstarter’s third Zinequest event, and available as a reward. It is now available on itch.io for $7.50. The PDF is 36 pages, written and illustrated by Guy Potts. It includes “standee” paper miniatures for all of the monsters and monks.
The System
It comes with a light set of rules that would be easy to swap out, but it would be a shame to do so entirely. The core of these is three stats, roll-over stat checks, a neat little initiative mechanic, and so on. But it also has three key elements that make the system feel tailored to the adventure: miracles, sins, and the timeline. I would consider grafting these subsystems into any game I ultimately used.
As all the characters are monks, there are no class options, spell lists or starting equipment. But there is magic! Before starting, the GM makes a secret list of specific miracles (“create a spring,” “bring a statue to life,” etc.). Characters can pray freely, and if they happen to ask for a miracle on the list, once per monk per campaign, that miracle is granted. (14 miracles are provided to start, with space for four more.)
Similarly, the GM is encouraged to create a list of “sins,” perhaps modeled on existing religious ideas. (Even without a list, certain actions in the module are defined as sins.) Whenever a monk sins, that player marks a circle on their character’s sin-o-meter. Then, the GM rolls 3d6, re-rolling one non-6 result for each sin marked. If the result is “666,” then each character takes a permanent damage. Characters who die this way are especially dead. I think this is a fun and thematic way of handling morality. It allows for a lot of luck-pushing and emphasizes the religious nature of the characters without punishing them outright for making hard choices.
Finally, the whole game takes place over 28 days, so time taken to heal or travel becomes important. This also informs the other two mechanics in their scope: players may choose not to “save” their miracles or may be more reckless with their sins, given this limit.
A monk gives communion to werewolves, via Wikimedia Commons.
The Campaign
The adventure provides a compelling amount of direction for a sandbox. The characters are summoned by a dying monk to stop the current abbot (Pierre the Pious) from summoning an angel of death to purge the world of sinners, annihilating France. To do this, they need to recreate the three traditional products of the abbey under the old abbot (Reynard the Rotund): beer, wine, and cheese. Then they must barter them with local monstrous factions in exchange for their support in the coming battle.
The adventure is seven hexes with the monastery at the center, and each hex has an overland map and an underground dungeon. Three hexes house the monstrous factions and three hexes contain the supplies and equipment the monks will need to reproduce the recipes and arm themselves. The whole map is full of connections and secrets.
The Good
The adventure exudes charm from the art, the tone, the scope. The included system is elegant, as are the mechanics found throughout for dungeon elements, puzzles, social interactions, traps, and so on. (To be sure, the art in this review is not the style of the art in the book, which all matches the cover much more closely.)
It claims to be targeted at absolute beginners, and I believe it. It’s friendly in tone and well-considered in many small ways, from using only d6s to laying out the maps in a radial manner (so that they are easily covered by simple fog-of-war effects or sticky notes). In particular, I appreciate that it provides many opportunities to fill in some blank spaces, but it never feels incomplete without them.
The Bad
The adventure sits in a weird place as a drop-in. Not too much relies on the players being monks, so you could drop other characters in pretty easily. (If you’re the planning type, you could even have them meet Brother Bartholomew beforehand.) But the climactic battle seems like an end-of-campaign event that would be hard to continue after, and the tight timeline doesn’t leave much room for side-quests. It’s also slightly too long to run as a one-shot.
I’d like to know more about Pierre and his ritual. The book mentions that he will be out of town if the players think to kill him. But it’s unclear if the ritual could be prevented some other way. Does it have to happen in the palace? (Then could Pierre just be kept out?) Is timing important, or is Pierre just too busy to cause the apocalypse right away? (Then could he be delayed or misled?) If this is a Watchmen scenario, why bother keeping him away on business? Ultimately I’m not too worried about this because the draw of supernatural agriculture is probably pretty good and the clues leading to it are plentiful. But I do expect these questions to come up.
For all the interweaving and Jacquaysing, the PDF would benefit from hyperlinks, but it is short enough that it’s OK without.
Conclusion
I was expecting a short adventure, but instead I found a small world, full of character and innovation, with well-crafted support for its unique size. I recommend it!
Monks at work, via Wikimedia Commons.
This post was first shared on November 23, 2022.